Jessica Johnson
flute
Jason Price
trumpet, cracklebox, electronics
John Pickford Richards
viola, accordion
Jackie Leclair
oboe
Michael Clayville
trombone
Stefan Freund
cello, composer
Elisabeth Stimpert
clarinet, sax
Payton MacDonald
percussion, tabla, composer
Miles Brown
bass
Bill Kalinkos
clarinet, sax
John Orfe
keyboards, composer
Alan Pierson
artistic director, conductor, keyboards
Michael Harley
bassoon, voice, keyboards
Courtney Orlando
violin, voice, keyboards, accordion
Gavin Chuck
managing director, composer
Matt Marks
horn, keyboards, electronics
Caleb Burhans
violin, viola, voice, electric guitar, composer
Nigel Maister
staging director

Nigel Maister

staging director

Nigel Maister

Brutalized by a desperate, overbearing parent who chained me with barbed wire to a baby grand piano at an early, impressionable age, and terrorized by a series of sadistic piano teachers wielding large, wooden rulers and unfortunate hairstyles, I soon realized that the life of a musician was not for me. Instead, I fled South Africa, my land of birth, and nursed my aching artistic (and failed musical) ambitions with puppets, literature, and unhealthy doses of opera.

Nigel Maister

Needless to say, I also flirted shamelessly, directorially, and sometimes outrageously with European theatrical masters and canonical masterpieces, noh theatre, contemporary clowns and clowning, visual art, graphic design, assorted libretti and song cycles (all unperformed and - possibly - unperformable), and plays and fiction (all performed, published or some combination thereof). A dark night of the immigrant's soul led me to the upstate tundra of Rochester, New York and the Artistic Directorship of the University of Rochester International Theatre Program. An even darker night brought me to the student new music ensemble Ossia, thence to John Cage's Song Books, thence to Alarm Will Sound, thence to Miller Theatre, thence to future AWS performances, and, by this declension, into the madness wherein now I rave and all we mourn for.